Ed Sarath is Professor of music in the Department in Jazz and Contemporary Improvisation at the University of Michigan School of Music, Theatre & Dance and also director of the U-M Program in Creativity and Consciousness Studies. He divides his time between teaching, scholarship, performing, composing, recording, speaking, and spearheading leadership initiatives. He founded and serves as president of the International Society for Improvised Music (www.isimprov.org). His most recent book is Black Music Matters: Jazz and the Transformation of Music Studies (Rowman and Littlefield, 2018), which along with his prior book Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Education, and Society (SUNY/Albany, 2013), are the first to apply to music principles of an emergent, consciousness-based worldview called Integral Theory. His earlier book, Music Theory Through Improvisation: A New Approach to Musicianship Training (Routledge, 2010) is based in his design of an innovative approach to core curriculum musicianship training that he has taught for 20 years. He is co-author of a book called Rethinking Music Studies in an Age of Change: Diversity, and Integration (Routledge, 2016) which follows his work as lead author of the report of the College Music Society Task Force on the Undergraduate Music Major and co-editor of three volumes on contemplative education put out by SUNY Albany.